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IAmA Robot Chicken and PEZ animator of stop motion things Dillon Markey. AMA
Hey Reddit! I animate things for a poultry company and sometimes make Fresh Guacamole(tm). Here at Woz's Silicon Valley Comic Con doing live stop motion at LegionM's booth. Ask me some shit, I'm here all afternoon.
I also make my own films which you can watch at dillonmarkeydotcom.
The guys from /u/meltdowncomics are helping type while I animate with my power glove.
PROOF: https://imgur.com/a/aLuM1
EDIT: That's all folks! We are packing up the set to drive back to Burbank. Robot Chicken is always on TV somewhere so watch it and keep me employed!
dillonmarkey20 karma
I also like Skeletor. Favorite one though? Hang on gimme a sec this puppet is falling. Crypt is great. I like the ones with the crazy voices. Zeb Wells does his voice. I'm a huge fan of any voice Matt Senreich does he is really fun to animate.
Santa is also a really great character. Its Seth McFarlane's voice so the character feels top notch.
lartrak9 karma
How much of the time when you're animating do you use that modified Power Glove? Saw the video where you made it, thought that was really neat, but from the bit of experience I have with stop motion, seems like there'd be times you'd need to take it off.
dillonmarkey11 karma
100%. Actually ya got me. If its a really small stage I'll keep it off so I can reach into the tiny crevices. But my muscle goes goes to the gloved wrist.
fredandlunchbox8 karma
How do you translate the length of time needed in final production to the amount of movement for each shot? That seems like the real artistry of it -- knowing how much to move each time to get the final reel to look just right.
dillonmarkey17 karma
dude! that's exactly it! there are several ways to notate and plot out the length of a certain move. in dragon we have an exposure sheet window. but you really hit the nail on the head. that's the artistry exactly. i started 20 years ago with a stop watch experimenting with how long it would take to take one step as i was walking around, waiving my hand around and stuff. i was studying physics as a hobby. i always say the interplay of potential and kinetic energy is the most important concept to understand if you want to animate anything. if you have that you can animate everything.
dillonmarkey10 karma
animating for a long time changes the way you see the entire world. i people watch constantly and i always break down all of their movements into frame by frame. it never stops! haha
fredandlunchbox3 karma
Yeah, I can see how understanding gravity and acceleration really well to the point that you can break it down frame by frame would be exceptionally useful to a stop motion animator. Every action involves gravity. Making things look real means playing by those rules first and foremost.
LeonProfessional11 karma
I somehow missed that one.
Link for those who also haven't seen it: https://www.youtube.com/watch?v=TJPLx0jIdOw
dillonmarkey9 karma
someone told me once that they nominated me for an Emmy in character animation. There's no proof though so I don't if I'm supposed to be proud or not.
Lennsik6 karma
Hi Dillon! I'm a student at Kent State University's Adult Swim Course (the only one around, as we're told) and are currently studying your work on Robot Chicken! My question is pretty simple, but I just wanted to know how has the process of animating changed? There was a time some years ago you guys were taking photos out of a DSLR with a 2gig SD card. What are you guys at the studio using now to animate the show?
dillonmarkey6 karma
The phrase Kent State Adult Swim Course just blew my mind. Thats amazing! Studying Robot Chicken??! Unreal!
The program we use is DragonFrame in iMacs with Canon 60D cameras. Set up stages with a lot of low wattage lighting. Stoopid Buddy has great classes on Vimeo that you can check out. SB Animation Camp Online or something like that.
For the record, its always been about capturing images direct to the computer. My first undergrad animation involved a mini-DV camera connected to Premiere to record one frame at a time. I personally have not done what you describe of taking SD cards out.
conehead884 karma
One of my favourite robot chicken sketches is the fabric softner teddy bear sketch. Did you have anything to do with that?
oreesama4 karma
what's in your opinion the most disturbing animation you've had to do for robot chicken?
dillonmarkey11 karma
RCDC 3 I had Batman kick Ras Al Ghul into the pool that turns him into a baby then he kills the baby. The really messed me up.
suaveitguy3 karma
Is there a formula or ratio for mimicking lenses in miniature? If you used a 50mm prime lens for a shot with human adults, how to best copy that same look with 6" figures?
dillonmarkey2 karma
I dont know the math. I did a music video for a guy called Ratboy "Move" we shot live action backgrounds with 6" puppets comped in. We used similar lenses I think. A good DP can figure out the math.
dillonmarkey8 karma
Update. Asked my DP. She says Live action used Canon 16-35mm 2.8 on Full Frame Mark III, then for animation used 10-18mm on a 7D which isnt full frame.
dcred1233 karma
If you could start your own television show, what would it be, and on what network?
dillonmarkey13 karma
It would be the most ridiculous over the top action pack insane thing you've ever seen on any network. I want to be the Michael Bay of clay.
dillonmarkey9 karma
Love it. Experimental television rules. So many great things have come out of it.
dillonmarkey4 karma
Yes. I worked on the Schlorps Intro Song on the Bitch Pudding Special. Plus a few intermitten shots here and there.
dillonmarkey12 karma
From start to finish as long as it takes but generally speaking 1 second of show per hour. We animate about 10 seconds a day on the show.
dillonmarkey10 karma
He's one of the most passionate guys around. He's really impressive. He knows everyone in the studio, hes not false in any way and is a friend to everyone. Super positive and one of the coolest guys I've worked with.
dillonmarkey11 karma
Puts chin in power glove, contemplating.
Give me autonomy. With RC its so silly. if they say get silly, I get silly. I really get silly. For example, Zeb was directing me on the LOTR auction "And my axe" Elrond gets all crazy auctioneer. They were like GO FOR IT and I broke it. Theres one frame in there that breaks my brain. He's talking so fast it breaks your persistence of vision.
dillonmarkey3 karma
Doesnt everybody love them?
There was a lot of cool stuff happening in that era coming out of Russia and Eastern Europe.
suaveitguy1 karma
What do you think of puppets as an alternative to stop action? Is it a cop out?
dillonmarkey1 karma
Do you mean marionettes? I think its a totally different thing. The action figures we use are called puppets. Its just a different medium. Not at all a copout - theres just as much artistry involved. How you make it move and bring it to life is the art.
suaveitguy1 karma
Any secrets for capturing a realistic voice characterization? Did you think the Fantastic Mr. Fox approach added a lot to the film?
dillonmarkey2 karma
Not sure the first question - do you mean animating so it looks like the character is speaking?
Yeah love Fox. My favorite part is what they did with scale. Long shots of running through the tunnels. So cool to transition between scales.
suaveitguy1 karma
I was wondering about recording for the human voiceover, so it feels like they embody the figure and aren't doing a Krusty the Clown style reading in a studio.
dillonmarkey2 karma
There's people that manage the voiceover. Pro voice actors, producers that work with the writers, etc. When I get to the stage all the puppets are designed and built, the voice over files are there, the timing of the shots and animatic are done. The audio clip of the length of the shot I'm working with right now and my job is to do the opposite and make the character match the voice.
TexasAnimeFan1 karma
Did you do the stop motion animation for Titan Maximum & do you have any insight on why that show didin't get a second season?
dillonmarkey1 karma
NO I didn't work on. I dont know if it was received all that well and fell through the cracks. But I don't know anything about it.
d1gg3r7771 karma
Always been a huge fan of Robot Chicken thanks for all of your great work. Maybe I can get this answered because its been bugging me for years. I forget which episode but there was a scene in which kids were being thrown into traffic or something and there was a sign on the highway that said "Clinton, NJ" (my home town). So was this just a random sign or is someone on the staff from Clinton, NJ?
dillonmarkey2 karma
I don't run HR I'm just a guy that play with dolls, not sure who of the 100 employees could be from Jersey.
BestAMAquestionsNA1 karma
Hi, great fan of your work expecially Star Wars related stuff. Now, I know you have animated characters to do so, but have you personally ever mooned someone?
TheresNoCakeOnlyFire1 karma
How did you get into stop animation? What was your inspiration?
dillonmarkey8 karma
Looney Tunes was a huge inspiration. When I was an undergrad Hampshire College I got a 3rd year internship at MTV's Celebrity Deathmatch. Then it was another 4 years before I got into CalArts and I got a Masters there then worked on Mr Man show as a Flash Animator then I started as Animation Assistant at Shadow Machine on Frankenhole.
Technology today is amazing. If I was 10 years old right now I'd be animating and posting to YouTube.
TheresNoCakeOnlyFire2 karma
Great answer! My son is ten and He's interested in animation, got any tips?
dillonmarkey6 karma
Go to DragonFrame website and look up webcams. There are inexpensive webcams compatible with Dragon. Start Animating. Theres also iphone apps for stop motion. Its less about the tools and more about just doing it. Look at PEZ its just toys and junk. Do it!
dillonmarkey3 karma
I love Chris McKay. That guy is so cool. He's like a dad and older brother at the same time. I want to work with him again but he's down in Australia as far as I know.
suaveitguy1 karma
Any other tricks around scale you can share? I am excited to try mini LEDs and lights in a standard human sized lighting setup. Might try a bit of smoke to see if it helps add to the atmosphere in the room.
dillonmarkey3 karma
Tip: dont smoke. Theres better ways to do it. Shoot smoke against black backdrop then blow smoke and snap snap snap, then composite that in. If theres smoke in the room on the set, your hands will disturb the smoke as you are animating.
suaveitguy1 karma
Anyone use frame by frame stop motion techniques in CGI to get the same subtly choppy look?
dillonmarkey3 karma
Aardman did Flushed Away. and LEGO movie did that. Its cool. Animation is super young. Painting has been done for thousands of years. Animation is 100 years old. Anything we can do to experiment with movement in animation only furthers the art. Animation is the culmination of all art forms and super important for the future of human race and all of human art.
rezheisenberg217 karma
Favorite recurring RC character? I'm a big Skeletor guy myself
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