OhSoWittyUsername

What's your take on full script versus Marvel Method? Have you ever worked on a series and switched between the two, or at least wished you could? If so, what difference did it make in the final result?

What property would you revamp, Alan-Moore-Swamp-Thing-style, if given free reign? Who would be the most fun to tear down and rebuild your way? Not just a shift in tone, like Daredevil, but a full-on "you thought he was an alien bounty hunter but it turns out that really he's an AMNESIAC MUTANT BIRTHDAY CLOWN and now he's out for BALLOON-ANIMAL-FILLED VENGEANCE!"

What in particular about PICKET FENCES's structure was valuable?

http://www.sadtrombone.com/

"Thrillbent" is a whole lot-o-fun, and I was wondering how it's doing financially? How well is it sustaining itself?

Also, how do you shift your writing style for that format? The brief chapters are closer to a daily newspaper strip style or a 2000AD short, which has to be an adjustment. The format also allows for kinda-sorta movement, like making a character appear suddenly or "rack focus" a scene, such as the video screen kicking to life in the beginning of "Insufferable." How different is writing for Thrillbent from monthly comics work? Are there elements that work better in that format than in monthly comics, or elements that don't translate well?

Finally: what would be the best pornographic title for a parody of SHANG-CHI, MASTER OF KUNG FU?