lowClef

Finding party down on Netflix was a revelation for me ... how do you feel about the developing cycle where shows debut, fail, get on netflix, then suddenly become popular?

Also, have Ms. Brie get you on Mad Men, you would have a very cool look for that era/on that show.

Lizzy Caplan and sex. I think I'll check the shit out of that one.

As a producer, what do you actually "do" in the studio? You're obviously not the tracking engineer or the mixing/mastering engineers ... so what are you doing in the studio?

RE: #4

If you had said I-V-VI-IV I would have /threaded the shit out of this thread.

Cheers!

Thanks for the response. I'm a musician myself, though have never (and likely will never) get to the point where a producer becomes involved, so thanks for the clarification.

Some follow up, if you dont mind:

1) Since you're making the sounds/instrumentation, does that have any effecgt on songwriting credits? If so, what sort of litmus test exists for this (kind of hinting at the screenwriters' type deal)?

2) How does the role of a producer with a real band (think Mumford & Sons) contrast with that of a producer in your position (sorry if i'm assuming too much, but it seems you're a pop/hiphop/electronic leaning producer)?

3)Favorite Chord?

4)Favorite chord progression?

Again, thanks for your time!

EDIT: Formatting.