It used to be that porn had laughably fake narratives. Pizza shows up, etc, blah blah blah. Stuff that was so obviously fake that you couldn't seriously forget that you were watching porn and that it's not real.
But now, with gonzo, there's no longer a fictional pretext for the sex. There's no real reason for an 18 year old to put some huge dildo in her ass on film apart from money. So instead we're sold the fiction that the girl is on this journey of self-discovery.
This means that the narrative has been moved outside of the fiction. That the girl's "career" becomes the story.
I recognize that this is outside of the niche where you work, and is only somewhat your competition.
For most of the production of your industry, story matters so little that it's just shunted onto young women who are following a pretty well-established career script.
Is this something you discuss? Does it piss you off or annoy you?
Or, do you take the second order narrative into account when you're crafting your stories? (Oh, she needs a fictional pretext to do double anal here, how can I weave that into the story?)
propernoun2 karma
It used to be that porn had laughably fake narratives. Pizza shows up, etc, blah blah blah. Stuff that was so obviously fake that you couldn't seriously forget that you were watching porn and that it's not real.
But now, with gonzo, there's no longer a fictional pretext for the sex. There's no real reason for an 18 year old to put some huge dildo in her ass on film apart from money. So instead we're sold the fiction that the girl is on this journey of self-discovery.
This means that the narrative has been moved outside of the fiction. That the girl's "career" becomes the story.
I recognize that this is outside of the niche where you work, and is only somewhat your competition.
For most of the production of your industry, story matters so little that it's just shunted onto young women who are following a pretty well-established career script.
Is this something you discuss? Does it piss you off or annoy you?
Or, do you take the second order narrative into account when you're crafting your stories? (Oh, she needs a fictional pretext to do double anal here, how can I weave that into the story?)
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