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Very interesting stuff, just started listening to some of Rodrigo's Toccata (Holy sweet Jesus you weren't kidding about stamina!) I can't imagine the hours of work that goes into perfecting that. Given that you mentioned temperament, what is your opinion on A=432 vs. 440. Is it a load of bologna?
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Does any one piece you've performed stick out as the most challenging? And how do harmonic analyses function in microtonal music vs. a classical IV-V-I type of deal?
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