WallyPfister

Yes, the P is silent. THANK YOU FOR ASKING.

Well, I've shot many thousands of shots in many, many films, but I do really enjoy the wonderful field of lightbulbs that production designer Nathan Crowley created in The Prestige.

Treat the crew members around you with respect.

Shoot AS MUCH as you can. Pick up a camera WHENEVER you can. Start to look at things through the eye of a camera AS MUCH as possible.

I think filmmakers will continue to find new ways to move the camera and new places to put it based on the narrative. I think we should try to avoid gimmicks in camera movement and composition that distract more than they serve the story.