YerMumsSexyBum

Have you ever found people (widely or in small groups) in a particular country (whether expected based on tropes of national behavioural norms) to be particularly hostile to your performing there, whether due to your atheism, politics, or transvesticism?

I adore that this is so :)

Did you ever receive any response or follow-up from the BBC, producers of The Voice UK, or the star coaches, as a consequence of your disappointment at the lack of credit for "borrowing" your arrangement?

As the project grows and becomes more popular, enjoys greater reach and stardom, have there been any opportunities to do surprise collaborations with big name artists? I think it would be crazy cool if we were surprised one day by someone with a huge profile performing their own songs with you, in your arrangement. Do record labels represent a major barrier to this sort of thing?

There are many modern hits, and a few big-name classics that you've brought into the repertoire. Have you ever considered reworking any lesser known or forgotten hits, B-sides, and the like? (For example, Spread Your Wings by Queen).