cube1701

Another question: Did you know how important the notes in All Along The Watchtower were going to be when you initially composed it, and were the coordinates developed with the music, or done afterwards?

Is there any update on what's happening with the Caprica soundtrack? There's so many wonderful tracks from it that I want to listen to properly.

As great as Bear McCreary is, there would be mass fan outrage if it wasn't John Williams.

Although I think he could do wonders with a game, making a unique but still Star Wars-y soundtrack rather than emulating the film franchise like most games.

If a TV show you compose for decides to use licensed music for parts of it, do you usually have any input into what these are?

More specifically, did you help choose "When The Man Comes Around" for the massacre scene at the end of The Sarah Connor Chronicles (season 1)? It just fit so well with the action, and the lyrics were very relevant, too.

Have you ever considered doing your own album, not related to a show/film/game? Similar to what composer Jeremy Soule is currently doing (and funded via Kickstarter).