kinderdemon

I feel like the episode where Pam is kidnapped instead of Cheryl, culminating in her revealing the Angel of Death poem on her back with numerous hatch-marks, indicating people she has previously killed in her activities outside of work, is a literal shedding of her chrysalis and unfolding her beautiful butterfly wings.

In the previous Ima, I was surprised by your politely worded but unmistakably firm left wing convictions: most people my age (millenials) expect people your age to be conservative and yet there you were recommending the communist manifesto and defending key contemporary left wing movements like Black Lives Matter.

How did you come to your political convictions? Do you feel distinct from your generation, or is the conservativsm of your peers overstated?

It is just formatted weird.

The first story ends with the long hair: the cops were going to beat them up/search them for drugs as suspected hippies, but because Co's driver license was from a rural area, they reclassified him as a long-haired hick and just made fun of him.

In the second story, they were looking for an artwork by Claes Oldenburg, a giant baseball bat, or at least that is what they told the cop. The cop (I think) started listing off other famous public artworks--namely, a "mobile" by Alexander Calder (probably one of these, and a stained glass window by Marc Chagall)-- in Chicago that they should see, instead of beating them up, like they expected.

That would make sense as a story.

However, it is also possible that they were the ones telling the cop(s?) about public art. Also there were nine of them for some reason.

Could you tell more about the absurd hurdles the "foreign agent" label adds: I feel like people outside of Russia can barely imagine it.

Thank you for the work you do!

Yeah we could all build fully automated luxury gay space communism, but will we?